Once again, I have deliberately avoided the "pictorial virtuosity" less and less consistent in my painting, to enhance what my eyes have seen and absorbed, and that is a 'very strong impact, that of an' invisible man, with his glass invisible, invisible, and his book, only his gesture was visible, surrounded by icy white, in a clear enemy and hostile place with no way out ... now how to paint all this, how to write how to convey this feeling, or truth?
The resignation of this 'man struck me so much, that if I decided to treat the particular painting, I would definitely distracted' s attention by describing what most interested me ...
